Stuart Brownlee – OCA 512319
Part 1 – Bibliography
Barriball, A. (2005) Brick wall. [Graphite pencil on paper] Tate [Online] Available at: http://www.tate.org.uk/whats-on/tate-britain/display/focus-slow-looking-contemporary-drawing [Accessed: 8 May 2015]
Brownlee, S. (2013) ‘Research Point 1 – Chiaroscuro’. stuartbrownleeoca.wordpress.com, 25 October [Online learning log] Available at: https://stuartbrownleeoca.wordpress.com/category/coursework/part1/page/11/ [Accessed: 22 May 2015]
Chilvers, I. (2009) Oxford dictionary of arts & artists. 4th ed. Oxford: OUP.
Clarkson, A. (2010) ‘Pablo Picasso: self-portrait facing death (1972)’, Pallimed: Arts and Humanities, 26 July [Online] Available at: http://arts.pallimed.org/2010/07/pablo-picasso-self-portrait-facing.html [Accessed: 8 May 2015].
Davidson, M. (2011) Contemporary drawing: key concepts and techniques. [pdf] New York: Watson-Guptill Publications.
Downs, S., et al (2007) Drawing now: between the lines of contemporary art. [Kindle e-book] New York: I.B. Tauris.
Lacewing, M. [n.d.] Expressivism: ‘Good art is moving or captures a mood or feeling’. [pdf] Available at: http://documents.routledge-interactive.s3.amazonaws.com/9781138793934/AS/Thevalueofart/Expressivism.pdf [Accessed: 12 May 2015].
Mayer, R. (1991) The artist’s handbook of materials & techniques. 5th ed. London: Faber & Faber.
Megerle, B. (2010) Birgit Megerle. [Exhibition catalogue] Berlin: Stenberg Press.
Phaidon Editors (2011) Vitamin P2: new perspectives in painting. London: Phaidon Press.
Picasso, P. (1972) Self portrait facing death. [Crayon on paper] In: Collings, M. This is modern art. London: Seven Dials.
Rauschenberg, R. (1953) Automobile tire print. [Automobile tire, black paint on paper] [Online] Available at: http://www.sfmoma.org/explore/collection/artwork/25845 [Accessed: 8 May 2015]
Redon, O. Artist’s Secrets, 1894. Available at: http://www.musee-orsay.fr/en/collections/around-redon.html [Accessed: 21 May 2015]
Redon, O. Head of Orpheus on the Water or The Mystic, 1880 [charcoal and black chalk on paper] Kröller-Müller Museum, Otterlo. Available at: http://commons.wikimedia.org/wiki/Category:Charcoal_drawings_by_Odilon_Redon#/media/File:Odilon_Redon_-_Orpheus%27_Kopf_auf_dem_Wasser_treibend.jpeg [Accessed: 21 May 2015]
Redon, O. Profile of Shadow, c.1895 [various charcoals, with stumping, incising, erasing, and subtractive brushwork on pale-pink wove paper with red and blue fibres altered to a golden tone]. Art Institute of Chicago. Available at: http://www.artic.edu/aic/collections/artwork/90301 [Accessed: 21 May 2015]
Redon, O. The Raven, 1882, [charcoal on laid paper] The National Gallery of Canada, Ontario. Available at: https://www.gallery.ca/en/see/collections/artwork.php?mkey=6828 [Accessed: 21 May 2015]
Redon, O. The Trees, 1890’s [Charcoal on paper] Museum of Fine Arts, Huston. Available at: http://commons.wikimedia.org/wiki/File:Odilon_Redon_-_The_Trees_-_Google_Art_Project.jpg [Accessed: 21 May 2015]
Redon, O. Tree, c. 1875. [Various charcoals, stumping, scraping, and erasing, on cream wove paper altered to a golden tone] The Art Institute of Chicago. Available at: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v14/bp14-08.html [Accessed: 21 May 2015]
Spackman, S. (n.d.) Two together. [Pencil and charcoal on paper] [Online] Available at: http://www.sarahspackman.com/page4.htm [Accessed: 12 May 2015]
Stratis, H. K. (2011) A Technical Investigation of Odilon Redon’s Pastels and Noirs. [Online] The American Institute for Conservation. Available at: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v14/bp14-08.html [Accessed: 21 May 2015]
14 June 2015